Yara Zgheib at Bill& Rosa’s Book Room
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Yara Zgheib at Bill& Rosa's Book Room
Author Yara Zgheib will be at Bill& Rosa’s Book Room (42 Rue du Chemin Vert 92100 Boulogne Billancourt, métro ligne 9 Marcel Sembat) on Saturday 7 November at 4pm, to discuss her novel, No Land to Light On, a masterful story of tragedy and redemption. Free, please sign up by e-mail et brbookroom@gmail.com
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Learn French! Bear! Espèces d’ours!
Learn French! Bear! Espèces d’ours!
Bear! Espèces d'ours!
After being charged by an adult male grizzly bear in Yellowstone National Park (2026 marks the 10 year anniversary of this dangerous incident) and shouting "Bear!" John and Lisa (read the Yellowstone press release here and listen to John tell the story here) were amused to return to Paris to find an exhibition entitled The World of Bears or Espèces d'ours! at the Muséum national d'Histoire naturelle. So they trotted right over to see what the museum had to say about bears.
It turns out there are 8 species of bears in the world. The grizzly bear John and Lisa encountered, called Ursus arctos horribilis in scientific nomenclature, is a subspecies of the brown bear. It is also less commonly known as the silvertip bear. Scientists generally do not use the name grizzly bear but call it the North American brown bear to distinguish it from the European or Asian brown bear. Meriwether Lewis and William Clark called it "grisley". They were notoriously bad …
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Protests in Paris and Martine Frank
Protests in Paris and Martine Frank
Protests in Paris and Martine Frank
Images, Press and Feminist Struggles
Photographic exhibit until March 7, 2027
In the 1970s, Martine Franck (1938-2012) photographed feminist struggles, primarily in Paris. As a woman photographer, the attention she paid to the mobilizations of the Mouvement de libération des femmes (MLF) protests in Paris and elsewhere shaped her outlook on the social world and would durably orient her body of work.
The question of images became central to feminist struggles in reaction to media representations within a dominant visual culture, one that objectified women’s bodies and could distort or discredit their demands. As a founding member of the Viva agency (1972), Martine Franck shared this vigilance toward images. Viva was conceived as a "refuge for photographers who understand the reach of the image, know its informative power, refuse the uses that could be made of it, and do not want to escape their social reality."
This exhibition …
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